{"id":1621,"date":"2014-06-28T16:31:46","date_gmt":"2014-06-28T15:31:46","guid":{"rendered":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/?post_type=student&#038;p=1621"},"modified":"2023-07-01T15:35:00","modified_gmt":"2023-07-01T14:35:00","slug":"lucie-ruzickova","status":"publish","type":"student","link":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/student\/lucie-ruzickova\/","title":{"rendered":"Lucie R\u016f\u017ei\u010dkov\u00e1"},"content":{"rendered":"<p>lucka.ruza@seznam.cz<\/p>\n<p> <p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/274363381?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"284\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/iframe><\/p>   <p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/274352572?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"284\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/iframe><\/p> \n<p>Pra\u0301ce participuje na videoherni\u0301 simulaci The Sims. Simulace performativn\u00edch p\u0159\u00edstup\u016f, zn\u00e1m\u00fdch z re\u00e1ln\u00e9ho sv\u011bta um\u011bn\u00ed na z\u00e1klad\u011b uveden\u00fdch ikonick\u00fdch autor\u016f, ztr\u00e1cej\u00ed ve virtu\u00e1ln\u00edm prost\u0159ed\u00ed svou t\u011blesnost. Postavy avatar\u016f vykon\u00e1vaj\u00ed deleguj\u00edc\u00ed \u010dinnost, posl\u00e9ze v\u0161ak podl\u00e9haj\u00ed sv\u00fdm pot\u0159eb\u00e1m. Do upr\u030cednostn\u030cuji\u0301ci\u0301 hra\u0301c\u030covy iniciace se vtlac\u030cuje determinovanost fikc\u030cni\u0301ho sve\u030cta. Kaz\u030cdy\u0301m opakova\u0301ni\u0301m se situace sta\u0301le vi\u0301ce vyhrocuje az\u030c k negativni\u0301mu nebo raciona\u0301lne\u030c nevysve\u030ctlitelne\u0301mu chova\u0301ni\u0301 avatara. Postava vni\u0301ma\u0301 kombinaci u\u0301kon\u016f jen jako obyc\u030cejne\u0301 c\u030cinnosti. Nepr\u030cisuzuje jim hodnoty s\u030cte\u030csti\u0301 ani neplni\u0301 z\u030cebr\u030ci\u0301c\u030cky potr\u030ceb. Nevidi\u0301 spojitost s ti\u0301m, z\u030ce by c\u030cinnost mohla by\u0301t performanci\u0301. Doch\u00e1z\u00ed k \u017eertovn\u00fdm moment\u016fm, kdy se avatar sna\u017e\u00ed z ud\u011blen\u00e9 performace uniknout, k\u0159i\u010d\u00ed a st\u011b\u017euje si. Pra\u0301ce se tak sta\u0301va\u0301 z\u030certovny\u0301m komenta\u0301r\u030cem k fungova\u0301ni\u0301 sve\u030cta her. Jejich stanoveny\u0301 pru\u030abe\u030ch je ovliv\u0148ova\u0301n herni\u0301mi pravidly natolik, z\u030ce za\u0301ve\u030cr vede k nahodilosti vy\u0301sledne\u0301ho vy\u0301stupu. Tato pr\u00e1ce vych\u00e1z\u00ed z performance Mariny Abramovi\u0107, Josepha Beyuse, Ji\u0159\u00edho Kovandy. (Diplomov\u00e1 pr\u00e1ce, 2019)<\/p>\n<p> <p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/140460293?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"284\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/iframe><\/p> <\/p>\n<p>Koberec, tri\u010dka, knihy. Ve\u0161ker\u00e9 ruchy, kter\u00e9 analogov\u00e1 televize dok\u00e1\u017ee samovoln\u011b vyprodukovat, m\u016f\u017eeme pova\u017eovat za jej\u00ed vlastnosti. Z\u00e1rove\u0148 se jedn\u00e1 o vizu\u00e1ln\u00ed zku\u0161enost, na kterou je \u010dlov\u011bk zvykl\u00fd, jeliko\u017e nast\u00e1v\u00e1 pr\u00e1v\u011b v situaci, kdy televize nefunguje spr\u00e1vn\u011b. Nej\u010dast\u011bj\u0161\u00edmi p\u0159\u00ed\u010dinami je poruchov\u00fd \u010di nespr\u00e1vn\u011b nastaven\u00fd vstup\/v\u00fdstup televize. Ve\u0161ker\u00e9 jevy, jako jsou kosti\u010dkov\u00e1n\u00ed obrazu, zrn\u011bn\u00ed, \u010dernob\u00edl\u00e9 pruhov\u00e1n\u00ed obrazovky nebo nevhodn\u00e1 barevn\u00e1 shoda jsou takt\u00e9\u017e doprov\u00e1zeny specifick\u00fdm zvuky. Tyto obrazov\u00e9 \u201cchyby\u201d m\u011b inspirovaly k vytvo\u0159en\u00ed instalace, je\u017e reflektuje jin\u00e9 zpracov\u00e1n\u00ed digit\u00e1ln\u00edho obrazu v analogov\u00e9 sf\u00e9\u0159e. To, co vid\u00ed div\u00e1k na obrazovk\u00e1ch, pova\u017euje za d\u016fsledek n\u011bjak\u00e9ho probl\u00e9mu a chyby. Ov\u0161em teprve postupn\u011b, p\u0159i d\u016fsledn\u011bj\u0161\u00edm sledov\u00e1n\u00ed dok\u00e1\u017ee odhalit, \u017ee obraz nen\u00ed generov\u00e1n, ale jedn\u00e1 se o jakousi n\u00e1podobu chybov\u00e9ho zobrazen\u00ed, kter\u00e1 vznikla pon\u011bkud kuriosn\u00ed cestou, a to sn\u00edm\u00e1n\u00edm oby\u010dejn\u00fdch p\u0159edm\u011bt\u016f (koberec, \u0159ada knih, kom\u00ednek slo\u017een\u00fdch tri\u010dek) na video, kdy svoji roli p\u0159i sn\u00edm\u00e1n\u00ed sehr\u00e1l pohyb stativu nebo objektivu atd. Cel\u00e1 instalace je nen\u00e1padn\u00e1. Televize i DVD p\u0159ehr\u00e1va\u010de byly do tmav\u00e9ho prostoru jen polo\u017eeny, okolo byla spousta kabel\u016f a ovlada\u010d\u016f k jednotliv\u00fdm p\u0159\u00edstroj\u016fm. Div\u00e1k mohl p\u0159em\u00fd\u0161let, zda se jedn\u00e1 o instalaci nebo jen odlo\u017een\u00e9 nefunk\u010dn\u00ed p\u0159\u00edstroje. Stejn\u011b tak zp\u016fsob zobrazen\u00ed \u0161patn\u00e9ho sign\u00e1lu vnesl ur\u010ditou d\u00e1vku nejistoty a rozehr\u00e1l \u00favahy o d\u016fv\u011bryhodnosti v to, co vid\u00edme.<\/p>\n<p> <p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/140452091?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"284\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/iframe><\/p> <\/p>\n<p>Kancel\u00e1\u0159. Kancel\u00e1\u0159sk\u00fd prostor je m\u00edstem pro jasn\u011b vymezen\u00e1 pravidla a typick\u00e9 p\u0159edm\u011bty, je\u017e disponuj\u00ed konkr\u00e9tn\u00edm vyu\u017eit\u00edm a jednot\u00edc\u00edmi znaky. Instalac\u00ed otev\u00edr\u00e1m absurdn\u00ed situaci re\u00e1ln\u011b neuskute\u010dniteln\u00fdch pohyb\u016f jednotliv\u00fdch komponent\u016f pracovn\u00ed plochy. Administrativn\u00ed p\u0159edm\u011bty spole\u010dn\u011b utv\u00e1\u0159ej\u00ed mysteri\u00f3zn\u00ed efekty, jejich\u017e tvarov\u00e1 i zvukov\u00e1 souhra naru\u0161uje pr\u00e1v\u011b kancel\u00e1\u0159sk\u00fd stereotyp. Pohyb ka\u017ed\u00e9ho kancel\u00e1\u0159sk\u00e9ho za\u0159\u00edzen\u00ed je pod\u0159\u00edzen jeho tvaru a re\u00e1ln\u011b vykon\u00e1van\u00e9 \u010dinnosti.<\/p>\nngg_shortcode_0_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Spole\u010dn\u00e9 v\u00fdstavy:<\/strong><\/p>\n<p><strong>2019<\/strong> Labyrinth, V\u00fdstava ateli\u00e9ru Digit\u00e1ln\u00ed m\u00e9dia FUD UJEP, Pragovka, Praha<\/p>\n<p><strong>2019 <\/strong>Diplomky 19, V\u00fdstava bakal\u00e1\u0159sk\u00fdch a diplomov\u00fdch prac\u00ed FUD UJEP, Galerie E. Filly, \u00dast\u00ed nad Labem<strong><br \/>\n<\/strong><\/p>\n<p><strong>2016 <\/strong>Art Dialog &#8211; Meziprostory, V\u00fdstava je v\u00fdsledkem mezin\u00e1rodn\u00edho sympozia student\u016f a pedagog\u016f vysok\u00fdch um\u011bleck\u00fdch \u0161kol, S\u00fdpka Klenov\u00e1, Klenov\u00e1<\/p>\n<p><strong>2016<\/strong> Propojen\u00fd sv\u011bt &#8211; \u017divot ve m\u011bst\u011b budoucnosti, Galerie TA\u010cR, Praha (2. m\u00edsto v r\u00e1mci sout\u011b\u017ee po\u0159\u00e1dan\u00e9 Technologickou agenturou \u010cR, v kategorii vysok\u00fdch um\u011bleck\u00fdch \u0161kol)<strong><br \/>\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>lucka.ruza@seznam.cz Pra\u0301ce participuje na videoherni\u0301 simulaci The Sims. Simulace performativn\u00edch p\u0159\u00edstup\u016f, zn\u00e1m\u00fdch z re\u00e1ln\u00e9ho sv\u011bta um\u011bn\u00ed na z\u00e1klad\u011b uveden\u00fdch ikonick\u00fdch autor\u016f, ztr\u00e1cej\u00ed ve virtu\u00e1ln\u00edm prost\u0159ed\u00ed svou t\u011blesnost. Postavy avatar\u016f vykon\u00e1vaj\u00ed deleguj\u00edc\u00ed \u010dinnost, posl\u00e9ze v\u0161ak podl\u00e9haj\u00ed sv\u00fdm pot\u0159eb\u00e1m. Do upr\u030cednostn\u030cuji\u0301ci\u0301 hra\u0301c\u030covy iniciace se vtlac\u030cuje determinovanost fikc\u030cni\u0301ho sve\u030cta. Kaz\u030cdy\u0301m opakova\u0301ni\u0301m se situace sta\u0301le vi\u0301ce vyhrocuje az\u030c k [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false,"ngg_post_thumbnail":0},"rocnik":[19],"class_list":["post-1621","student","type-student","status-publish","hentry","rocnik-absolventi-magisterskeho-studia"],"acf":[],"_links":{"self":[{"href":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-json\/wp\/v2\/student\/1621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-json\/wp\/v2\/student"}],"about":[{"href":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-json\/wp\/v2\/types\/student"}],"wp:attachment":[{"href":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-json\/wp\/v2\/media?parent=1621"}],"wp:term":[{"taxonomy":"rocnik","embeddable":true,"href":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-json\/wp\/v2\/rocnik?post=1621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}