{"id":2999,"date":"2021-09-15T20:46:04","date_gmt":"2021-09-15T19:46:04","guid":{"rendered":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/?post_type=student&#038;p=2999"},"modified":"2026-04-20T20:19:04","modified_gmt":"2026-04-20T19:19:04","slug":"zdenek-picpauer","status":"publish","type":"student","link":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/student\/zdenek-picpauer\/","title":{"rendered":"Zden\u011bk Picpauer"},"content":{"rendered":"<p><a href=\"mailto:zdena.pic@seznam.cz\">zdena.pic@seznam.cz<\/a><\/p>\n<p> <p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/1166784169?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"284\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/iframe><\/p> <\/p>\n<p>Video M\u016fj \u0158\u00edp (2026) zachycuje osobn\u00ed ritu\u00e1l na vybudovan\u00e9m ter\u00e9nn\u00edm \u00fatvaru na na\u0161\u00ed zahrad\u011b, kter\u00fd se stal jakousi soukromou variantou \u010desk\u00e9 n\u00e1rodn\u00ed hory \u0158\u00edp. Sn\u00edmek dokumentuje proces fyzick\u00e9ho i symbolick\u00e9ho p\u016fsoben\u00ed autora na tomto um\u011ble vytvo\u0159en\u00e9m pahorku, jen\u017e vznikl kombinac\u00ed t\u011b\u017ek\u00e9 techniky a vytrval\u00e9 ru\u010dn\u00ed kultivace. Autor d\u00edla na tomto sv\u00e9m kope\u010dku vykon\u00e1v\u00e1 \u010dinnosti, kter\u00e9 jsou mnohdy nezvykl\u00e9. D\u00edlo odkazuje na vztah k p\u016fd\u011b, tvarov\u00e1n\u00ed krajiny, hled\u00e1n\u00ed monumentality v intimn\u00edm prostoru osobn\u00ed zahrady a v neposledn\u00ed \u0159ad\u011b odkazuje na my\u0161lenku, \u017ee m\u00e1-li \u010cech k ho\u0159e \u0158\u00edp daleko, zrealizuje si alespo\u0148 sv\u016fj vlastn\u00ed. Pr\u00e1ce je zalo\u017eena na nads\u00e1zce, vtipu, ironii.<\/p>\n<p> <p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/1095279611?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"284\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/iframe><\/p> <\/p>\n<p>Orobinec Man (2025). Orobinec Man je postava pohybuj\u00edc\u00ed se na pomez\u00ed performance, ekologick\u00e9 reflexi, nostalgie a ur\u010dit\u00e9ho druhu historizuj\u00edc\u00ed fantazie. Je to \u010dlov\u011bk, s\u00e1m autor t\u00e9to pr\u00e1ce, oble\u010den\u00fd v od\u011bvu, kter\u00fd si vytvo\u0159il z p\u0159\u00edrodn\u00edho materi\u00e1lu, z orobince. Tento od\u011bv nen\u00ed jen vizu\u00e1ln\u011b n\u00e1padn\u00fd. Je haptick\u00fd, postupn\u011b se p\u0159i pr\u00e1ci rozpad\u00e1, je nepraktick\u00fd. Nep\u0159edst\u00edr\u00e1 pohodl\u00ed, ale vyb\u00edz\u00ed ke vn\u00edm\u00e1n\u00ed p\u0159\u00edrody a snahu obklopit se t\u00edm, co n\u00e1m zem\u011b poskytla. Je to druh \u201edruh\u00e9 ko\u017ee\u0161iny\u201c, av\u0161ak vyroben\u00e9 z toho, co roste v mok\u0159adech. Orobinec Man nen\u00ed karikatura ani folklorn\u00ed relikt. Nen\u00ed ani radik\u00e1ln\u00ed eko fundamentalista. Je to \u010dlov\u011bk, kter\u00fd se rozhodl nav\u00e1zat kontakt s minulost\u00ed prost\u0159ednictv\u00edm zt\u011blesn\u011bn\u00ed sv\u00e9ho vlastn\u00edho j\u00e1. Je to poutn\u00edk mezi sv\u011bty \u2013 mezi p\u0159\u00edrodou a civilizac\u00ed, mezi minulost\u00ed a p\u0159\u00edtomnost\u00ed, mezi utopi\u00ed a realitou. Orobinec Man se navrac\u00ed do hlubin materi\u00e1lu, do vlastn\u00ed pam\u011bti, k esenci toho, co znamen\u00e1 b\u00fdt v krajin\u011b. V sou\u010dasn\u00e9m sv\u011bt\u011b, kde se technologie nezadr\u017eiteln\u011b propl\u00e9taj\u00ed s ka\u017edodennost\u00ed, kde digit\u00e1ln\u00ed realita \u010dasto nahrazuje tu fyzickou, p\u0159ich\u00e1z\u00ed postava \u201eOrobinec Man\u201c jako zjeven\u00ed z jin\u00e9ho \u010dasu. Nejde o kost\u00fdm pro karneval ani o recesi, ale o konceptu\u00e1ln\u00ed v\u00fdpov\u011b\u010f. Orobinec Man, mu\u017e v od\u011bvu z orobince, vystupuj\u00edc\u00ed v\u011bdom\u011b v sou\u010dasn\u00e9 spole\u010dnosti, je manifestac\u00ed touhy po kontaktu s p\u0159\u00edrodou, po hmatatelnosti a rytmu, kter\u00fd \u010dlov\u011bku dne\u0161n\u00edho v\u011bku unik\u00e1. Na v\u00fdrobu oble\u010den\u00ed pro tuto postavu byl pou\u017eit p\u0159edev\u0161\u00edm orobinec. (Bakal\u00e1\u0159sk\u00e1 pr\u00e1ce)<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-content\/uploads\/2024\/02\/pokojovky-picpauer-web.pdf\" target=\"_blank\" rel=\"noopener\">Zelen\u00e9 klenoty<\/a>, autorsk\u00e1 kniha (2024)<\/p>\n<p>Rozhodl jsem se pro stylizovan\u00e9 ztv\u00e1rn\u011bn\u00ed formou publikace rostlin, v n\u00ed\u017e uplat\u0148uji encyklopedick\u00e1 fakta v kombinaci s podivn\u00fdmi portr\u00e9ty. Tato encyklopedie vybo\u010duje ze standard\u016f, jak\u00e9 obvykle zn\u00e1me. Jedn\u00e1 se o dokumentaci \u0161irok\u00e9 \u0161k\u00e1ly m\u00fdch pokojov\u00fdch rostlin, k nim\u017e m\u00e1m osobn\u00ed vztah. Ka\u017ed\u00e1 dvoustrana je v\u011bnov\u00e1na konkr\u00e9tn\u011b jedn\u00e9 pokojovce. Pop\u00edr\u00e1m zajet\u00e9 standardy encyklopedi\u00ed. Neprezentuji jen samotn\u00e9 rostliny, n\u00fdbr\u017e na z\u00e1b\u011brech spole\u010dn\u011b s m\u00fdmi rostlinami vyobrazuji s\u00e1m sebe. Do d\u00edla vstupuje reprezentace t\u011bla \u2013 pracuji s nahotou, kter\u00e1 m\u00e1 bl\u00ed\u017e k p\u0159irozenosti a dod\u00e1v\u00e1 pr\u00e1ci ve sv\u00e9m smyslu ironick\u00fd aspekt. V tomto d\u00edle otv\u00edr\u00e1m tematiku kritiky zvl\u00e1\u0161tn\u00edho trendu \u201eza\u010dlen\u011bn\u00ed p\u0159\u00edrody do sv\u00e9ho obydl\u00ed\u201c. Poukazuji na absurdnost, p\u0159ehnanou v\u00e1\u0161e\u0148, posedlost z kv\u011btin.<\/p>\n<p>&nbsp;<\/p>\n<p> <p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/802425077?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"284\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/iframe><\/p> <\/p>\n<p>V&nbsp;jednom kole (2023). Napadla m\u011b my\u0161lenka, jak by sv\u011bt fungoval, kdyby se lidsk\u00fd \u017eivot odv\u00edjel podle fraz\u00e9m\u016f a jejich pravidel. Nad formou zpracov\u00e1n\u00ed jsem dlouhou dobu uva\u017eoval. P\u0159em\u00fd\u0161lel jsem nejprve o form\u00e1tu klasick\u00e9 grotesky, pak nad alternativn\u00edm ztv\u00e1rn\u011bn\u00edm. Nakonec jsem se rozhodl pro kr\u00e1tkometr\u00e1\u017en\u00ed video, je\u017e je inspirov\u00e1no n\u011bkolika zn\u00e1m\u00fdmi fraz\u00e9my. Div\u00e1kovi nech\u00e1v\u00e1m prostor pro interpretaci, jak\u00fdm zp\u016fsobem si vyobrazen\u00e9 sc\u00e9ny vylo\u017e\u00ed. Do videa se sna\u017e\u00edm vn\u00e9st nap\u011bt\u00ed prol\u00edn\u00e1n\u00edm jednotliv\u00fdch z\u00e1b\u011br\u016f s&nbsp;rozd\u00edlnou stop\u00e1\u017e\u00ed. Posloupnost sc\u00e9n s&nbsp;podivn\u00fdm chov\u00e1n\u00edm dvou d\u00edvek m\u016f\u017ee na div\u00e1ka p\u016fsobit jako sen, kter\u00fd je z\u00e1m\u011brn\u011b s&nbsp;nads\u00e1zkou uzav\u0159en happyendem.<\/p>\n<p> <p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/747598990?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"284\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/iframe><\/p> <\/p>\n<p>Trailer, MFDF Ji.halava, 2022: <a href=\"https:\/\/www.ji-hlava.cz\/filmy\/glasswork\">https:\/\/www.ji-hlava.cz\/filmy\/glasswork<\/a><\/p>\n<p>Glasswork (2022). Odjak\u017eiva m\u011b fascinovala monument\u00e1lnost oh\u0148ostroje, proto jsem se rozhodl ztv\u00e1rnit jeho n\u00e1podobu. A\u010dkoli by \u0161lo vytvo\u0159it pouze digit\u00e1ln\u00ed animaci, p\u0159i\u0161lo mi atraktivn\u011bj\u0161\u00ed tvo\u0159it na z\u00e1klad\u011b fyzick\u00fdch prost\u0159edk\u016f, a tak jsem podom\u00e1cku u n\u00e1s na dvorku zinscenoval d\u00edlo, v n\u011bm\u017e svou roli hraje estetick\u00e1 rovina. D\u00edlo vznikalo ve dvou d\u016fle\u017eit\u00fdch prost\u0159ed\u00edch \u2013 na bodov\u011b osv\u00edcen\u00e9 sc\u00e9n\u011b, kdy jsem ze \u0161tafl\u00ed h\u00e1zel zava\u0159ovac\u00ed sklenice a v postprodukci, kter\u00e1 byla nem\u00e9n\u011b d\u016fle\u017eit\u00e1. Z\u00e1sadn\u00edm prvkem tohoto m\u00e9ho d\u00edla je skute\u010dnost, jak z nesmysln\u00e9 destrukce hmotn\u00fdch produkt\u016f v dom\u00e1c\u00edm prost\u0159ed\u00ed m\u016f\u017ee \u010dlov\u011bk vytvo\u0159it nehmotnou iluzi, kter\u00e1 svoj\u00ed zvukovou a obrazovou monument\u00e1lnost\u00ed m\u016f\u017ee div\u00e1ka a\u017e ohromit nejen v pozitivn\u00edm, ale i negativn\u00edm smyslu, kdy v n\u011bkter\u00fdch momentech m\u016f\u017ee vznikat nep\u0159\u00edjemn\u00fd dojem, ba i pocit ohro\u017een\u00ed.<\/p>\n<p> <p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/747592933?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"284\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/iframe><\/p> <\/p>\n<p>Jedno p\u0159\u00e1n\u00ed (2022). C\u00edlem m\u00e9 pr\u00e1ce je pouk\u00e1zat na marnost lidsk\u00e9 snahy m\u011bnit sv\u011bt podle sv\u00fdch p\u0159edstav. \u010casto jsou okoln\u00ed podm\u00ednky mocn\u011bj\u0161\u00ed ne\u017e snaha jedince o zm\u011bnu. \u00datrapy na tomto sv\u011bt\u011b se n\u00e1m zdaj\u00ed b\u00fdt nekone\u010dn\u00e9, a\u017e z toho v\u0161eho m\u016f\u017eeme m\u00edt pocity marnosti. P\u0159esto se mus\u00edme sna\u017eit svoji snahu o lep\u0161\u00ed sv\u011bt nevzd\u00e1vat. P\u0159em\u00fd\u0161lel jsem proto nad kompletn\u00edm ztv\u00e1rn\u011bn\u00edm performance, ve kter\u00e9 pouk\u00e1\u017eu na sisyfovskou pr\u00e1ci. Po odfouknut\u00ed v\u0161ech sem\u00ednek ze stvolu koz\u00ed brady do situace nahodile vstoup\u00ed pobl\u00ed\u017e pasouc\u00ed se ovce se sv\u00fdm charakteristick\u00fdm zvukem. \u017de by snad t\u00edm cht\u011bla d\u00e1t najevo n\u011bjakou nad\u011bji?<\/p>\n<p>&nbsp;<\/p>\nngg_shortcode_0_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Spole\u010dn\u00e9 v\u00fdstavy, festivaly:<\/strong><\/p>\n<p><strong>2026<\/strong> \u0158\u00edp: kontext a sou\u010dasnost, Galerie modern\u00edho um\u011bn\u00ed, Roudnice nad Labem<\/p>\n<p><strong>2023 <\/strong>Scaln\u00ed video X, Brno Art Week, Brno<\/p>\n<p><strong>2023<\/strong> PodChod, site-specific akce, Ostrava<\/p>\n<p><strong>2023<\/strong> XVII. Trien\u00e1le \u010desk\u00e9ho exlibris 2023, Galerie Zahradn\u00ed d\u016fm, Teplice<\/p>\n<p><strong>2022<\/strong> 26. Mezin\u00e1rodn\u00ed festival dokument\u00e1rn\u00edch film\u016f (sekce Fascinace: Exprmntl.cz), Jihlava, hlavn\u00ed cena za nejlep\u0161\u00ed \u010desk\u00fd experiment\u00e1ln\u00ed film<\/p>\n<p><strong>2022<\/strong> FIK &#8211; Festival ilustrace a komiksu #7, Ve\u0159ejn\u00fd s\u00e1l Hrani\u010d\u00e1\u0159, \u00dast\u00ed nad Labem<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ceny:<\/strong><\/p>\n<p><strong>2025 <\/strong>Cena ateli\u00e9ru Digit\u00e1ln\u00ed m\u00e9dia FUD UJEP<\/p>\n","protected":false},"excerpt":{"rendered":"<p>zdena.pic@seznam.cz Video M\u016fj \u0158\u00edp (2026) zachycuje osobn\u00ed ritu\u00e1l na vybudovan\u00e9m ter\u00e9nn\u00edm \u00fatvaru na na\u0161\u00ed zahrad\u011b, kter\u00fd se stal jakousi soukromou variantou \u010desk\u00e9 n\u00e1rodn\u00ed hory \u0158\u00edp. Sn\u00edmek dokumentuje proces fyzick\u00e9ho i symbolick\u00e9ho p\u016fsoben\u00ed autora na tomto um\u011ble vytvo\u0159en\u00e9m pahorku, jen\u017e vznikl kombinac\u00ed t\u011b\u017ek\u00e9 techniky a vytrval\u00e9 ru\u010dn\u00ed kultivace. Autor d\u00edla na tomto sv\u00e9m kope\u010dku vykon\u00e1v\u00e1 \u010dinnosti, [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false,"ngg_post_thumbnail":0},"rocnik":[14,17],"class_list":["post-2999","student","type-student","status-publish","hentry","rocnik-1-rocnik-magistri","rocnik-absolventi-bakalarskeho-studia"],"acf":[],"_links":{"self":[{"href":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-json\/wp\/v2\/student\/2999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-json\/wp\/v2\/student"}],"about":[{"href":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-json\/wp\/v2\/types\/student"}],"wp:attachment":[{"href":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-json\/wp\/v2\/media?parent=2999"}],"wp:term":[{"taxonomy":"rocnik","embeddable":true,"href":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-json\/wp\/v2\/rocnik?post=2999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}