{"id":3002,"date":"2021-09-15T20:52:04","date_gmt":"2021-09-15T19:52:04","guid":{"rendered":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/?post_type=student&#038;p=3002"},"modified":"2026-04-28T20:10:36","modified_gmt":"2026-04-28T19:10:36","slug":"kateryna-orunbaieva","status":"publish","type":"student","link":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/student\/kateryna-orunbaieva\/","title":{"rendered":"Kateryna Orunbaieva"},"content":{"rendered":"<p><a href=\"mailto:orunbaeva.03@gmail.com\">orunbaeva.03@gmail.com<\/a><\/p>\n<p> <p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/1059301808?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"284\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/iframe><\/p> <\/p>\n<p>\u0422\u0432\u043e\u0457 \u0440\u0430\u043d\u0438 \u043f\u0435\u0440\u0435\u0441\u0442\u0430\u043b\u0438 \u0431\u0443\u0442\u0438 \u043c\u0435\u0442\u0430\u0444\u043e\u0440\u043e\u044e\/Tv\u00e9 r\u00e1ny u\u017e nejsou jen metaforou (2025). Ve sv\u00e9m audiovizu\u00e1ln\u00edm d\u00edle pracuji s t\u00e9matem znetvo\u0159en\u00e9ho\/zni\u010den\u00e9ho prostoru. Vypr\u00e1v\u00edm o bolesti domova a o tom, jak tuto bolest pro\u017e\u00edv\u00e1m spolu s n\u00edm. Prostor vystupuje jako zran\u011bn\u00e9 t\u011blo, r\u00e1ny, kter\u00e9 se sna\u017e\u00edme vyl\u00e9\u010dit. Z\u00e1rove\u0148 mluven\u00e9 slovo p\u0159ipom\u00edn\u00e1 jakousi modlitbu nebo mantru, zp\u011bv jako n\u00e1\u0159ek, kter\u00fd se rozl\u00e9h\u00e1 prostorem jako ozv\u011bna bolesti. Na konci v\u0161ak slova p\u0159in\u00e1\u0161ej\u00ed uklidn\u011bn\u00ed a zanech\u00e1vaj\u00ed po sob\u011b nad\u011bji, \u017ee se r\u00e1na jednoho dne zacel\u00ed a bolest z\u016fstane jen v podob\u011b jizvy v na\u0161\u00ed pam\u011bti.<\/p>\n<p> <p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/913697961?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"284\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/iframe><\/p> <\/p>\n<p>Cogito ergo sum (2024). Ren\u00e9 Descartes do\u0161el k&nbsp;z\u00e1v\u011bru: \u201eMysl\u00edm, tedy jsem\u201c. J\u00e1 ob\u010das nechci existovat, abych zastavila proces p\u0159em\u00fd\u0161len\u00ed. Sd\u00edl\u00edm svoje my\u0161lenky a sna\u017e\u00edm se p\u0159edat jejich \u010dist\u00fd nezastaviteln\u00fd proud, \u00favahy o existenci a skute\u010dnosti, co nekone\u010dn\u011b b\u011b\u017e\u00ed hlavou. Text dopl\u0148uje sekvence statick\u00fdch z\u00e1b\u011br\u016f bytu. V\u011bci a stav prost\u0159ed\u00ed n\u00e1m \u010d\u00e1ste\u010dn\u00e9 vyprav\u00ed o vnit\u0159n\u00edm stavu \u010dlov\u011bka, jeho\u017e my\u0161lenky sly\u0161\u00edme.<\/p>\n<p> <p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/841251298?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"284\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/iframe><\/p> <\/p>\n<p>\u041a\u043e\u0445\u0430\u044e\u0441\u044f \u0437 \u043b\u0456\u0445\u043e\u043c (2023). Smutek, \u00fazkosti, strach, zbyte\u010dn\u00e9 p\u0159em\u00fd\u0161len\u00ed, osamocenost, bolest &#8211; v\u0161em t\u011bm negativn\u00edm pocit\u016fm a emoc\u00edm \u0159\u00edk\u00e1m &#8220;vnit\u0159n\u00ed zv\u00ed\u0159e&#8221;.&nbsp; Nekone\u010dn\u00e1 konfrontace a souboj s n\u00edm, zobrazen\u00fd ve videu pomoc\u00ed tane\u010dn\u00ed choreografie, vyjad\u0159uje destruktivn\u00ed p\u016fsoben\u00ed t\u011bchto negativn\u00edch pocit\u016f na osobnost. Z\u00e1rove\u0148 se zde projevuje p\u0159\u00e1n\u00ed hlavn\u00ed postavy tyto pocity pro\u017e\u00edvat a nechat se jimi ovl\u00e1dat. Ob\u010das m\u00e1m pocit, \u017ee to vnit\u0159n\u00ed zv\u00ed\u0159e je mi oporou a pom\u00e1h\u00e1 p\u0159e\u017e\u00edt nep\u0159\u00edjemn\u00e9 \u017eivotn\u00ed situace. Ob\u010das bere kontrolu nade mnou, manipuluje mnou, ubl\u00ed\u017e\u00ed mi. Ob\u010das chci b\u00fdt manipulov\u00e1na. Ale d\u016fle\u017eit\u00e9 je uv\u011bdom\u011bn\u00ed, \u017ee toto v\u0161echno jsem j\u00e1 sam\u00e1, tak\u017ee sama sob\u011b pom\u00e1h\u00e1m a sama sob\u011b ubli\u017euji. Ve svoj\u00ed pr\u00e1ci odkazuji na sv\u00e9 ko\u0159eny, tj ukrajinskou kulturu. V kost\u00fdmech, zejm\u00e9na v masce se odr\u00e1\u017e\u00ed inspirace ukrajinsk\u00fdm folkl\u00f3rem, d\u00e9monologi\u00ed a oslavami d\u00e1vn\u00fdch tradi\u010dn\u00edch pohansk\u00fdch sv\u00e1tk\u016f (nap\u0159\u00edklad sv\u00e1tek Malanka). D\u00e1le vyu\u017e\u00edv\u00e1m autentick\u00e9 ukrajinsk\u00e9 p\u00edsmo v titulc\u00edch, \u00faryvek ze zn\u00e1m\u00e9 ukrajinsk\u00e9 poezie v \u00favodn\u00edch titulc\u00edch a ukrajin\u0161tinu v cel\u00e9 hudebn\u00ed skladb\u011b.&nbsp;<\/p>\n<p> <p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/799481264?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"284\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/iframe><\/p> <\/p>\n<p>Bezlad (2023). Odkl\u00e1d\u00e1n\u00ed v\u011bc\u00ed a neochota je t\u0159\u00eddit mohou v\u00e9st k nepo\u0159\u00e1dku. \u010c\u00edm d\u00e9le odkl\u00e1d\u00e1me ukl\u00edzen\u00ed, t\u00edm v\u00edce se v\u011bci hromad\u00ed a vytv\u00e1\u0159ej\u00edc\u00edch chaos, podobn\u011b jako tomu m\u016f\u017ee b\u00fdt s my\u0161lenkami v na\u0161\u00ed hlav\u011b. \u010casem je n\u00e1ro\u010dn\u011bj\u0161\u00ed se v tom zmatku vyznat, r\u00e1mus my\u0161lenek n\u00e1s ru\u0161\u00ed a vytrh\u00e1v\u00e1 z reality, je t\u011b\u017e\u0161\u00ed se na cokoliv koncentrovat. Nakonec se v\u011bc\u00ed a my\u0161lenek sejde tolik, \u017ee skoro ztr\u00e1cej\u00ed smysl a vytv\u00e1\u0159ej\u00ed jak\u00fdsi b\u00edl\u00fd \u0161um. Chaos postupn\u011b pohlcuje v\u0161echno.<\/p>\n<p> <p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/749573380?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"284\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/iframe><\/p> <\/p>\n<p>Intermezzo (2022). \u0160la jsem na proch\u00e1zku prozkoumat a poznat nov\u00e9 m\u00edsto sv\u00e9ho pobytu. Za\u010dala jsem p\u0159em\u00fd\u0161let o kontrastech \u00dasteck\u00e9ho kraje. Industri\u00e1ln\u00ed m\u011bsto uprost\u0159ed \u010cesk\u00e9ho St\u0159edoho\u0159\u00ed. D\u00fdmaj\u00edc\u00ed tov\u00e1rny, sk\u0159\u00edpaj\u00edc\u00ed vlaky a n\u00e1dhern\u00e1 p\u0159\u00edroda kolem. P\u0159ipomn\u011blo mi to impresionistickou pov\u00eddku ukrajinsk\u00e9ho spisovatele Mychajla Kocjubynsk\u00e9ho. Autor psal hlavn\u011b o problematick\u00e9 pozici um\u011blce ve spole\u010dnosti. Lid\u00e9, hlu\u010dn\u00e9 m\u011bsto, neust\u00e1le nov\u00e9 zpr\u00e1vy, revoluce, soci\u00e1ln\u00ed a&nbsp;politick\u00e9 probl\u00e9my &#8211; to v\u0161echno ovliv\u0148uje ment\u00e1ln\u00ed stav \u010dlov\u011bka. Z\u00e1rove\u0148 my, jako um\u011blci, na to reagujeme a sna\u017e\u00edme se ve sv\u00e9 tvorb\u011b zobrazit vlastn\u00ed pocity a uva\u017eov\u00e1n\u00ed. Inspirov\u00e1na pov\u00eddkou jsem cht\u011bla vyj\u00e1d\u0159it ten pocit \u00fanavy kv\u016fli v\u0161emu, co se d\u011bje kolem. \u017de i&nbsp;kdy\u017e se zav\u0159e\u0161 ve sv\u00e9m pokoji a minimalizuje\u0161 interakci s lidmi a sv\u011btem, tv\u016fj klid naru\u0161\u00ed venkovn\u00ed \u0161um nebo telefon\u00e1t bl\u00edzk\u00e9ho, kter\u00fd ti sd\u011bluje \u0161patn\u00e9 novinky. V\u0161echno se to nahromad\u00ed a&nbsp;nakonec si p\u0159eje\u0161 ut\u00e9ct, naj\u00edt tich\u00e9 m\u00edsto, vydechnout a odpo\u010dinout si.<\/p>\n<p> <p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/747672336?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"284\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/iframe><\/p> <\/p>\n<p>Mezi dobrem a zlem (2022). V\u00fdsledkem kognitivn\u00edho rozvoje lidstva je p\u0159em\u00fd\u0161len\u00ed o abstraktn\u00edch v\u011bcech, jako je mor\u00e1lka. Subjektivita takov\u00fdch pojm\u016f otev\u00edr\u00e1 diskuse o tom, co je dob\u0159e a co je \u0161patn\u011b. Pro snadn\u011bj\u0161\u00ed pochopen\u00ed jsme zvykl\u00ed p\u0159edstavovat si dobro a zlo jako absolutn\u00ed protiklady. Ale kdy\u017e nad t\u00edm za\u010dneme v\u00edc p\u0159em\u00fd\u0161let, tak zjist\u00edme, \u017ee tyto dva pojmy v podstat\u011b nejsou tak odli\u0161n\u00e9. Svoj\u00ed prac\u00ed jsem cht\u011bla upozornit na to, \u017ee ob\u010das, bojuj\u00edce se zlem, vystavujeme se riziku, \u017ee si m\u016f\u017eeme u\u0161pinit ruce.<\/p>\n<p>&nbsp;<\/p>\nngg_shortcode_0_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Spole\u010dn\u00e9 v\u00fdstavy, festivaly:<\/strong><\/p>\n<p><strong>2026 <\/strong>Yes kino, International student video art festival, Kino Art, Brno<\/p>\n<p><strong>2026<\/strong> Jin\u00e9 vize 2025, Kino Ponrepo, Praha&nbsp;<\/p>\n<p><strong>2025<\/strong> PAF, Olomouc (finalistka sout\u011b\u017ee Jin\u00e9 vize)<\/p>\n<p><strong>2024 <\/strong>CRASHTEST 13: REALITY CHECK, Galerie Jilsk\u00e1, Praha<\/p>\n<p><strong>2023 <\/strong>Scaln\u00ed video X, Brno Art Week, Brno<\/p>\n<p><strong>2023<\/strong> PodChod, site-specific akce, Ostrava<\/p>\n<p><strong>2022<\/strong> Maraton studentsk\u00fdch film\u016f 2022, \u010cT Art; Letn\u00ed filmov\u00e9 \u0161kola, Uhersk\u00e9 Hradi\u0161t\u011b<\/p>\n<p><strong>2022 <\/strong>Scaln\u00ed video IX, Brno Art Week, Brno<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ceny:<\/strong><\/p>\n<p><strong>2023 <\/strong>Cena ateli\u00e9ru Digit\u00e1ln\u00ed m\u00e9dia FUD UJEP<\/p>\n<p><strong>2022<\/strong> Cena ateli\u00e9ru Digit\u00e1ln\u00ed m\u00e9dia FUD UJEP<\/p>\n","protected":false},"excerpt":{"rendered":"<p>orunbaeva.03@gmail.com \u0422\u0432\u043e\u0457 \u0440\u0430\u043d\u0438 \u043f\u0435\u0440\u0435\u0441\u0442\u0430\u043b\u0438 \u0431\u0443\u0442\u0438 \u043c\u0435\u0442\u0430\u0444\u043e\u0440\u043e\u044e\/Tv\u00e9 r\u00e1ny u\u017e nejsou jen metaforou (2025). Ve sv\u00e9m audiovizu\u00e1ln\u00edm d\u00edle pracuji s t\u00e9matem znetvo\u0159en\u00e9ho\/zni\u010den\u00e9ho prostoru. Vypr\u00e1v\u00edm o bolesti domova a o tom, jak tuto bolest pro\u017e\u00edv\u00e1m spolu s n\u00edm. Prostor vystupuje jako zran\u011bn\u00e9 t\u011blo, r\u00e1ny, kter\u00e9 se sna\u017e\u00edme vyl\u00e9\u010dit. Z\u00e1rove\u0148 mluven\u00e9 slovo p\u0159ipom\u00edn\u00e1 jakousi modlitbu nebo mantru, zp\u011bv jako [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false,"ngg_post_thumbnail":0},"rocnik":[14,17],"class_list":["post-3002","student","type-student","status-publish","hentry","rocnik-1-rocnik-magistri","rocnik-absolventi-bakalarskeho-studia"],"acf":[],"_links":{"self":[{"href":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-json\/wp\/v2\/student\/3002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-json\/wp\/v2\/student"}],"about":[{"href":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-json\/wp\/v2\/types\/student"}],"wp:attachment":[{"href":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-json\/wp\/v2\/media?parent=3002"}],"wp:term":[{"taxonomy":"rocnik","embeddable":true,"href":"https:\/\/fud.ujep.cz\/sites\/digitalni-media\/wp-json\/wp\/v2\/rocnik?post=3002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}